![]() ![]() Serials Inc.) and its affiliated company United Television Films, Inc. On December 10, 1956, Screen Gems expanded into television syndication by acquiring Hygo Television Films (a.k.a. to release series through Screen Gems and supervise all of its productions. On July 1, 1956, studio veteran Irving Briskin stepped down as stage manager of Columbia Pictures and form his production company Briskin Productions, Inc. īy 1951, Screen Gems became a full-fledged television studio by producing and syndicating several popular shows (see below).īy 1952, the studio had produced a series of about 100 film-record coordinated releases for television under the brand "TV Disk Jockey Toons" in which the films "synchronize perfectly with the records". The studio started its new business in New York on April 15, 1949. Pioneer was later reorganized as Screen Gems. ![]() In November 1948, Columbia borrowed the Screen Gems name for its television production subsidiary when the studio acquired Pioneer Telefilms, a television commercial company founded in 1947 by Ralph Cohn, the nephew of Columbia's head Harry Cohn. Magoo series, were major critical and commercial successes. The studio's purpose was assumed by an outside producer, United Productions of America (UPA), whose cartoons, including Gerald McBoing Boing and the Mr. The Screen Gems cartoons were only moderately successful in comparison to those of Disney, Warner Bros., and MGM. During that same year, the studio shut its doors for good, though their animation output continued to be distributed until 1949. The final black-and-white Screen Gems shorts appeared in 1946, over three years after the second-longest holdouts ( Famous Studios and Leon Schlesinger Productions). Screen Gems was, in an attempt to keep costs low, the last American animation studio to stop producing black and white cartoons. However, the most successful characters the studio had were The Fox and the Crow, a comic duo of a refined Fox and a street-wise Crow. These included Flippity and Flop, Willoughby Wren, and Tito and His Burrito. Like most studios, the Screen Gems studio had several established characters on their roster. Animators, directors, and writers at the series included people such as Art Davis, Sid Marcus, Bob Wickersham, and during its latter period, Bob Clampett. Cartoons (previously Leon Schlesinger Productions). After Tashlin's short stay came Dave Fleischer, formerly of the Fleischer Studios, and after several of his successors came Ray Katz and Henry Binder from Warner Bros. Columbia then decided to "clean house" by ousting the bulk of the staff (including Winkler) and hiring creative cartoonist Frank Tashlin. Mintz's production manager became the studio head but was shortly replaced by Mintz's brother-in-law, George Winkler. When Mintz became indebted to Columbia in 1938, he ended up selling his studio to them. įor an entire decade, Charles Mintz produced Krazy Kat, Scrappy, and Color Rhapsody animated film shorts through Columbia Pictures. The name was derived from an early Columbia Pictures slogan, "Gems of the Screen" itself a takeoff on the song " Columbia, the Gem of the Ocean". The name was originally used in 1933, when Columbia Pictures acquired a stake in Charles Mintz's animation studio. His first nomination was in 1935 for Holiday Land, and he was nominated again in 1938 for The Little Match Girl. Mintz was nominated for two Academy Awards for Best Short Subject. ![]() Walt Disney mentioned in an interview that Mintz cultivated his standards for high-quality cartoon movies, and he kept emphasizing them even after their contract ended. In 1938, a few months before his death, Screen Gems after Columbia Pictures took over from him. The Winkler Studio became known as the Mintz Studio after he took over in 1929. After losing the Oswald contract to Walter Lantz, Mintz focused on the Krazy Kat series, which was the output of a Winkler-distributed property. In February 1928, when the character proved more successful than expected, Disney set on train to meet with Mintz over the budget wanting to spend more on the cartoons Mintz refused Mintz hired away all of Disney's animators except Iwerks, who refused to leave Disney, and moved the production of the Oswald cartoons to his new Charles Mintz Studio, along with Margaret Winkler's brother, George. The result was Oswald the Lucky Rabbit, the first animated character for Universal Pictures. After Charles Mintz become involved with the progress it was clear that he was unhappy with the production costs on cartoons and asked Disney and Ub Iwerks to develop a new character. Amongst those were Walt Disney Alice Comedies and Krazy Kat. He quickly assumed roles in the distribution of these series. Winkler,an independent film distributor that had distributed quite a few animated series during the silent era. In 1924, Charles Mintz married Margaret J. 3 Specialty feature film studio, 1998–present. ![]()
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